Apoorva Puthranmar Movie 2025 Bapamtv Review Details
Apoorva Puthranmar (2025) Movie Review: A Directorial Experiment with Satirical Undertones
Introduction
Apoorva Puthranmar (2025) is a bold attempt by directors Rejith RL and Sreejith to fuse comedy with social satire.
Set in a quaint village, the story follows two brothers whose actions stir chaos rooted in religious superstition.
The film’s concept promises much, aiming to shed light on blind faith and the exploitation of miracles.
However, its execution walks a tightrope between ambition and overreach, struggling with tonal consistency.
Director’s Vision and Execution
Rejith RL and Sreejith deliver a vision steeped in satire and cultural reflection.
They attempt to blend humor and social commentary without leaning too heavily on either.
The choice to highlight religious commodification through two carefree brothers is brave.
However, the vision falters at times due to uneven pacing and an unfocused narrative thread.
The directors aim for a reflective tone, but the transitions between comedy and drama are abrupt.
Their intention is clear, but the storytelling feels muddled by inconsistent emotional beats.
Signature Directorial Elements
Subtle use of symbolism and irony mark the directors’ stylistic approach.
Scenes showcasing rituals and reactions from villagers are exaggerated to highlight absurdity.
The muted color palette and soft focus reinforce the village’s stagnant mindset.
Frequent close-ups during conversations attempt to build intimacy, though not always effectively.
Satirical skits in the second half provide glimpses into the directors’ comedic rhythm.
These moments reflect a unique voice, especially in scenes mocking miracle-based businesses.
Influences and Inspirations
The film clearly draws from Malayalam cinema’s rich history of social critiques.
There are shades of Sathyan Anthikad’s village narratives and Priyadarshan’s comic timing.
Its satire evokes parallels with films like Kakkakuyil and Achanurangatha Veedu.
Yet, it lacks the sharp narrative depth those films carried consistently.
The spiritual themes and visual setups recall Amen by Lijo Jose Pellissery.
However, Apoorva Puthranmar avoids surrealism and keeps its storytelling linear.
Comparison to Previous Works
Rejith RL and Sreejith’s earlier projects focused more on character-driven humor.
Here, their storytelling leans toward thematic commentary, a noticeable shift in tone.
Unlike their previous efforts that balanced emotion and entertainment,
Apoorva Puthranmar feels more experimental, aiming for message over mass appeal.
This film attempts a deeper message, but the shift isn’t entirely seamless.
They venture into unfamiliar territory, and it shows in the film’s inconsistencies.
Storyline and Character Development
Jinto and Jijo start off as carefree, aimless young men in a devout setting.
Their transformation after their father’s death fuels the main narrative.
Jinto gradually becomes more scheming, while Jijo displays subtle guilt.
The arc of both characters is believable but lacks emotional depth.
Sebanos’s character is written as the moral compass, his death sparking conflict.
His influence is felt even after his passing, showing good character layering.
Supporting roles like Johny and Solomon provide color and contrast to the leads.
However, they feel underused despite promising beginnings.
Screenplay and Dialogue
The screenplay by Siva Anchal and team attempts complexity but becomes cluttered.
Dialogue scenes often break the pacing, with forced humor diluting serious moments.
Many conversations serve exposition rather than emotional or thematic development.
This weakens the buildup of tension and the impact of key scenes.
Still, some lines in the second half effectively critique superstition with dry wit.
These brief moments highlight what the screenplay could have achieved more consistently.
Genre Comparison
Within the satirical comedy-drama genre, the film feels mild and somewhat diluted.
Compared to Njan Prakashan or Oru Muthassi Gadha, the wit here is less refined.
It lacks the layered storytelling of Thondimuthalum Driksakshiyum or the energy of Vellimoonga.
Despite a strong theme, the movie struggles to stand out in its genre class.
Box Office Performance
Released on July 18, 2025, the film opened with moderate expectations.
Word of mouth was mixed, with reviews praising its intent but not its craft.
Its average audience response and limited marketing affected overall performance.
Initial box office returns were modest, possibly reflecting niche appeal.
Table: Star Rating Overview
| Category | Rating (out of 5) |
|---|---|
| Storyline | 3 |
| Direction | 2.5 |
| Screenplay | 2 |
| Performances | 3 |
| Satire & Themes | 3.5 |
| Overall | 3 |
Disclaimer: The star rating is subjective and may change based on audience preferences and critical reception.
FAQs
Question 1
How does Apoorva Puthranmar handle satire?
Answer 1
It uses exaggerated village settings and characters to critique blind faith, though not consistently.
Question 2
Is the movie emotionally engaging?
Answer 2
Only partly; the emotional arcs are present but not deeply developed due to screenplay issues.
Question 3
Are the director’s previous works similar in tone?
Answer 3
No, this film marks a shift toward more serious satire, unlike their earlier humor-driven narratives.
Question 4
What makes the direction unique?
Answer 4
The blending of spiritual satire with village realism and the attempt to use humor to make a social point.
Question 5
How does the film compare to others in its genre?
Answer 5
It has a promising theme but lacks the sharpness and cohesion found in top-tier Malayalam satires.
Conclusion
Apoorva Puthranmar is a commendable directorial experiment that falls short in execution.
While it raises important questions about faith and superstition, the journey is uneven.
Its visual tone and core theme showcase directorial ambition.
But without a tighter script and consistent emotional pull, it doesn’t reach its potential.
The film may find favor with viewers seeking light satire on societal issues.
However, for those expecting a hard-hitting or emotionally rich narrative, it may feel underwhelming.
Still, it stands as a sincere effort by Rejith RL and Sreejith to evolve their storytelling style.
And for that, it deserves attention if not unreserved praise.
Tags: Apoorva Puthranmar, Malayalam Movie Review, Rejith RL, Sreejith, Satire Films, Vishnu Unnikrishnan, Bibin George, iBomma Movies, Bappamtv Movies, Iradha Movies
